Showing posts with label Bogart. Show all posts
Showing posts with label Bogart. Show all posts

Wednesday, June 3, 2015

Movies That You Should All Sit Down and Watch Because I Said So: Part Five

Welcome, welcome! It has been about two months since I last gave you guys an installment of my ‘Movies That You Should Sit Down and Watch’ series, and you are probably wondering where in the wide world of sports I have been. Well, I was chilling with Carmen San Diego at the V.I.L.E. headquarters, but there were also other things going on that I talked about here and again here.

But now I am back for part five of my series! I think the last time out I promised this would be the sports version, though I am not about to go back and look so even if I didn’t say that I did now. Yes, that means it is time for me to discuss Space Jam!!! How exciting is that? So exciting I used three exclamation points.


When people list sports movies they usually throw in Hoosiers, but I will not. That movie sucked, and it will never be on a list of mine. Sorry, Gene you’re movie was lame and not at all interesting, but hey Barbara Hershey was in Hoosiers and is in one of the films is listed below (The Natural) so that counts right? There are a couple movies that I wish I had space for today like Mighty Ducks, Remember the Titans, and Kingpin, among several others which will appear on the next installment of the sports version, but they must wait their turn. 

Let me stop keeping you up here with mindless dribble and get to the point of us gathering today, so without further ado here is some classic sports films: enjoy.

The Harder They Fall (1956)- Mark Robson; Columbia Pictures Corporation

The Harder They Fall is a fantastic movie that goes behind the scenes of the corruption that plagued the sport of boxing, but that is not the only reason I am leading off with this film. This also marked the final performance of one of my favorite actors of all time Humphrey Bogart, who died shortly after the film’s release. He put in a brilliant performance to end his career playing Eddie Willis a sports writer hired by a sleaze ball fight promoter to aide in generating excitement for a new fighter. Bogart looked ill during the film, yet he still delivered a memorable performance which only added to his legend as one of the greatest actors of all time. 

Slap Shot (1977)- George Roy Hill; Kings Road Entertainment, Pan Arts, Universal Pictures

Sadly this is the only film to make the list from my favorite sport of Hockey, but at least it is a great one. “Dan, what about Mighty Ducks or Miracle?” Both OK films but not better than the ones on this list, and do either of those have Paul Newman? Nope, I didn’t think so. Well, Slap Shot has Mr. Newman and he is fantastic as the player coach of the Charleston Chiefs Reg Dunlop. The movie has great hockey scenes paired with goofy slapstick off-ice shenanigans that all the sports comedies following would take influence from.

Every player on the Chiefs is a character and each of the main ones are well developed by screen writer Nancy Dowd. Dowd also created a ridiculous array of villains such as Tim ‘Dr. Hook’ McCracken, Ross ‘Mad Dog’ Madison, Clarence Screaming Buffalo’ Swampton, and the legendary Ogie Ogilthorpe who all come together on the same team to battle the chiefs for the championship. With an ending to the game that is just absurd as the rest of the movie, this film will keep you laughing from start to finish, if it doesn’t I really don’t know if we can be friends.


P.S. My birthday is coming up in August, so if anyone wants to buy me an Ogie Ogilthorpe Syracuse Bulldogs’ jersey it would be appreciated, I'll even take the tee-shirt jersey version.

Caddyshack (1980)- Harold Ramis: Orion Pictures

Take an all-star comedy cast, including Chevy Chase, Bill Murray, Rodney Dangerfield, and Ted Knight, add in mayhem at a golf course and what you get is one of the funniest and most timeless comedies of all time. From memorable one-liners to slapstick antics this film has everything a comedy fan could want and it has enough suspenseful golf play to make it an all time classic sports films as well. 

There just isn’t a scene where Dangerfield, Chase, or Murray is on the screen that isn’t memorable. I can quote this movie all day; in fact one day at work I pretty much did just that. My poor co-workers, some of them others are just too dumb for words and I don’t care if I annoy them, actually I don’t care if I annoy anyone. If they don’t like Caddyshack quotes being tossed around all day there is something wrong with them.


If you haven’t seen this movie yet the pond is better for you, so remember to keep kangaroos away from your ball and go watch the movie: after all we’re all getting laid.

Raging Bull (1980)- Martin Scorsese; United Artists, Chartoff-Winkler Productions

This is beyond the greatest sports film ever made it is one of the greatest films of all time period. Robert De niro puts in the best performance of his career which is saying something considering all of his classic performances and was rewarded with his second Oscar (the first for actor in a leading role). It wasn’t just the acting that was impressive from De Niro, but also his physical transformation for the scenes of young Jake Lamotta to old Jake. Joe Pesci supports him playing Jake Lamotta’s older brother in his own Oscar nominated performance.

Raging Bull also gave Martin Scorsese his first well deserved Oscar nomination. How he did not win is beyond me. Every scene is brilliant especially the scenes of the actual boxing matches, which are only maybe ten minutes of the film, yet took nearly two months to film, and the result is some of the most brilliant work in all of film. This is the film he deserved to win an Academy Award for. It is far superior in every way to his film The Departed which eventually won him the award that previously eluded him.


I could go on for a while about this film, but I won’t because I have others to get to, so just go watch it and see what I am talking about.

The Natural (1984)- Barry Levinson; TriStar Pictures, Delphi II Productions

A farm boy strikes out the Whammer, who at the time was the greatest hitter in baseball, in three pitches and he was on his way to being a legendary pitcher when some hot little number shot him in the stomach before jumping out a hotel window to her death. Bitches can be mad crazy from time to time. Fast forward a few years when some old guy gets called up to the big leagues to assist a terrible team improve.  People begin to wonder where he came from, and soon his checkered past comes to light.

Robert Redford does a wonderful job playing the subdued superstar ballplayer and is paired with a superb supporting cast which included Glen Close (nominated for best supporting actress), Robert Duvall, Kim Bassinger, Wilford Brimley, and a nice appearance from Michael Madsen as the arrogant superstar Bump Bailey. Though the movie contains baseball situations that are completely wrong and implausible it is still a great story, I mean really what sports movie doesn’t have goofs related to the games they depict?

Major League (1989)- David Ward; Mirage Enterprises, Morgan Creek Productions

A snobby new owner set on moving the team to Florida because she can’t stand Cleveland puts together a roster of dim-wits, half-wits, over the hill players, freaks, geeks, and one bad ass motherfucker so the team could be awful and she could get her wish. As in most sports underdog movies the evil owner loses as the team strives for greatness once Wild Thing (Charlie Sheen) gets a prescription filled and is a bit less wild. All the while hilarity ensues on the field, in the locker-room, and off the field as the Indians look to beat the rival Yankees for a pennant.  This is one of my favorite comedies and I have seen it an abundance of times and still laugh every time: that folks, is a sign of a timeless classic. 

Space Jam (1996)- Joe Pytka; Warner Bros.

What do you get when you toss random ingredients such as Michael Jordan, Looney Tunes, Newman, high profile NBA stars, Danny DeVito, and Bill Fucking Murray? You get a piece of cinematic genius and one of the greatest sports movies ever. Of course this was going to be on my first list of sports movies because it is super duper fucking awesome. I mean, with all those parts working together how could you screw up? There was a time when I first got this movie on VHS where my brothers and I watched it nearly every day, and now I own the super deluxe two disc sick special edition which has given me the ability to quote the shit out of this movie. I haven’t even mentioned what may be the greatest soundtrack ever paired with a movie, so get your Haines on, lace up your Nikes, grab your Wheaties and Gatorade, and we’ll pick up a Big Mac on the way to watch this film in my living room: and no, Dan Akroyd is not in this picture. 


He Got Game (1998)- Spike Lee; Touchstone Pictures, 40 Acres & A Mule Filmworks

It has one of Denzel Washington’s best performances (in his top ten at least, the dude is super talented, though this film has his best hairdo by far), should I even say anything else? I do? It is one of Spike Lee’s best ‘joints’ (not weed stupid that is what Lee calls all of his films). A film about a high school basketball star, Jesus Shuttlesworth (played by NBA star Ray Allen), and his struggles with the corruption that lurks around every corner trying to influence the decision that he must make regarding his future. This is further complicated by his father’s (Washington) timely release from prison. 

Million Dollar Baby (2004)- Clint Eastwood; Warner Bros., Lakeshore Entertainment

Winner of four Academy Awards Million Dollar Baby starts off as a tale of determination to chase dreams, but it ends in a sad tale of dealing with difficult situations and the power of friendship. The films brilliance earned Eastwood his second Oscar for his work behind the camera, it helped that in front of the camera he was nominated for best actor in a leading role and was paired with Hilary Swank who won for best actress and the always wonderful Morgan freeman who won an Academy Award for best supporting actor.  A film about boxing that is also an emotional rollercoaster. 

The Wrestler (2008)- Darren Aronofsky; Wild Bunch, Protozoa Pictures, Saturn Films, Top Rope

Darren Aronofsky teamed up with screen writer Robert Siegel to give Mickey Rourke the role he was born to play. Rourke portrays an aging wrestler who struggles with his life as he is faced with retiring. Rourke looks like a man whom had been beaten up by life and in a ring so he fit the character perfectly and along with fantastic performances from Marissa Tomei and Evan Rachel Wood who play his stripper love interest and estranged daughter respectively. What this mix brings is a wonderful story that is more about the struggles of life than it is about sport and is another film that makes you feel all sorts of feels if you have emotions like a normal person, but if you’re like me it is just a real good film. On top of the all that relevant film info the final scene was shot in my old home town of Dover, so it's got that going for it.

Wednesday, January 14, 2015

Movies That You Should All Sit Down and Watch Because I Said So: Part One

I had a conversation the other day regarding movies and was asked, what would seem to be a simple question, "What is your favorite movie?"

With that I stumbled.

For starters I'm the most indecisive person of all time.  I'm extremely incapable of making a decision and I love a lot of movies, so the combination isn't a good one. So, for me to pick a favorite would be like congress agreeing on something.

I  think my final response was something like "uhhhhhhh, I mean, uhhhhhh, I don't really have one."

A look of confusion over came my friend. She had her favorite movie, everyone at the table had their favorite movie. And there I sat, perplexed about how someone could just pick one movie. I love the art of cinema, the art of acting,  and being a writer I adore flawless script writing: hoping one day to be able to do the same. Nothing makes a good movie great like the perfect fitting musical score, or the right lighting for the mood of a scene. Or the right actor for a role, or the proper director to lead the film.

Maybe it is these things that caused another good friend of mine to call me a "movie snob" (she also called me a music snob, maybe she is just jelly? You jelly AF? I know you is!). I'm not a snob. Just because I hate the movie Step Brothers and everything that Will Farrell does. The guy isn't even funny in the slightest I just wish I could go to his house and punch him in the face. He even almost ruined Wedding Crashers with his horrible cameo. Thankfully the rest of the cast and film was funny enough to save it.

Sorry, tangent over.

Not having an answer for my friend at dinner she then asked "what movie, if it is on, would you stop to watch every time."

To this I didn't really have an answer because, once again, there was so many. So, I did what any other human being incapable of decision making would do. I just started naming movies until the table got tired of hearing me list names and we moved on from the conversation, or they made fun of me. I don't know which it was. I'm sure it was some sort of combination of the two things.

Which brings me, finally, to the topic of today's blog. "Movies That You Should All Sit Down and Watch Because I Said So: Part One."

Maybe I should shorten the title? We will see what I put in the title bar before I post this. Anyway here we go, the first ten in which may or may not being a monthly post. It depends how I feel. These are in order of year of release and not in order of my favorite or top ten or nonsense like that, because as you know that would not be possible for me.


(1931)- Fritz Lang; Nero-Film AG

This is, in my mind, is Fritz Lang's masterpiece. Peter Lorre plays a child murderer in modern Berlin being hunted by both police and the criminal underworld. Lorre's performance is still one of my favorite performances by an actor in motion picture history. The lighting used in this film, credit to cinematographer Fritz Arno Wagner, set the mood perfectly in each scene and was far more advanced than any american films of the time. All around a brilliant film.

Casablanca (1941)- Michael Curtiz; Warner Brothers


Humphery Bogart, Ingrid Bergman, Claude Rains, and the always creepy Peter Lorre: what else would you need? I don't even think I have to say anything else, but I will. The film depicts a love triangle in French Morocco, which though unoccupied was part of  the Nazi puppet French government. Bogart must decide his future, and the fate of most are in his hands.

The Third Man (1949)- Carol Reed; Carol Reed's Production, London Film Productions
The greatest Film-Noir I have ever seen. 

Cinematographer Robert Krasker (who won an Academy Award for his work) sets the mood as Carol Reed shows us a man (Joseph Cotten) arriving in Vienna following WWII on an invite from his friend (Orson Welles), who he finds was killed in an accident shortly before his arrival. He investigates his "third man" theory. Writing to much will give away the film and I'm not about to do that. Just go watch it. Also, if any of you find the non blu-ray DVD for sale please let me know, it is out of print and virtually impossible to find. Other wise I will have to go buy a blu-ray player just for this film it is that good.

Diabolique (1955)- Henri-Georges Clouzot; Filmsonor
A spectacular suspense film about a woman and her husband's mistress plotting and executing the mans murder with enough twists and turns that would have made Hitchcock jealous. The lovely Vera Clouzot (husband of Director Henri-Georges) puts in an award worthy performance as the timid, scared wife with a weak heart (something parallel to her real life). A film for all who love a good twist, superb acting, or who appreciate the art of lighting.

The Seventh Seal (1957)- Ingmar Bergman; Svensk Filmindustri
The third Foreign Language and fourth non-american film so far (The Third Man coming to us from the UK). European directors had more freedoms artistically then in Hollywood whose directors were limited by the brilliant (sarcastic) Motion Picture Code.
Coming from Sweden, Bergman's The Seventh Seal a knight during the black plague searches for answers regarding human existence as he plays Death in a game of chess to buy himself more time to find the answers he seeks. A plot that his been copied in TV and movies since the films release. Powered by Max von Sydow as the knight and Bengt Ekerot as the chilling and iconic Grim Reaper this film will keep you thinking and watching as it moves along as it tries to delve into our existence.

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)- Stanley Kubrick; Columbia Pictures, Hawk Films
The first and only comedy on today's edition (there will be plenty of comedies on forthcoming editions). Led by the always zany Peter Sellers this film takes a satirical look at the cold war and the threat of nuclear war. A general (Sterling Hayden) perceives a false threat from the USSR and sets planes carrying nuclear bombs to attack soviet targets while politicians as well as high ranking military men try to stop it from escalating. With a supporting cast coming from a lot of fantastic actors, most memorably from George C. Scott, this film will keep you laughing from beginning to end while looking at the absurdity of those who are in charge of the worlds fate. There may not be fighting in the war room, but there are laughs aplenty. 

The Godfather (1972)- Francis Ford Coppola; Paramount, Alfran Productions
I don't think The Godfather needs any words written about it because it is a film that most people have already seen, or are aware of. Brando's Oscar winning performance along with Al Pacino, James Caan, and Robert Duvall (whom were all nominated for best supporting actor, losing to Joel Grey in Cabaret) navigating their way through the Mario Puzo and Coppola's Academy Award Winning screenplay (based off of Puzo's acclaimed novel). A story about family, loyalty, and respect set to the background of the Italian-American mafia. 

Taxi Driver (1976)- Martin Scorsese; Columbia Pictures, Bill/Phillips, Italo/Judeo Productions 
Robert DeNiro plays Travis Bickle, a Vietnam vet trying to return to normalcy in New York City. He suffers from insomnia and gets work as a late night cabby. These are the hours when the city is showing its worse. Bickle takes it upon himself to do something about the scum ridden city. DeNiro brings the brilliant script of Paul Schader to life, guided by the genius of Scorsese's camera and the fantastic supporting cast comprised of  Cybill Shepard, Peter Boyle, Albert Brooks, Harvey Keitel, and a young Jodie Foster. Scorsese does a wonderful job, but the script is so powerful and the acting superb that he could have just turned on and pointed the camera in the right direction and let the story unfold.

Road To Perdition (2002)- Sam Mendes; Dreamworks
Tom Hanks and Paul Newman, in his final on screen role, fuel this beautifully directed film by Mendes. Hanks plays Michael Sullivan a hit-man for an Irish-American mafia that is headed by John Rooney (Newman). When Michael Sullivan's son witnesses his father and the younger Rooney (Daniel Craig) killing a man a chain reaction begins as Sullivan and his son must flee and make their way to Perdition, while avoiding a hit-man (Jude Law) sent after them. The film is well done and provides one of my favorite scenes of all time, telling you which one will give away some of the film so I will refrain. After you watch it then we can discuss it. Though I will tell you that the Thomas Newman's musical score is beyond brilliant and makes the film that much better.

There Will Be Blood (2007); Paul Thomas Anderson; Paramount Vantage, Miramax, Ghoulardi Film Company
Paul Thomas Anderson took the first few pages from Upton Sinclair's novel Oil! and ran with them taking creative freedom to bring us this modern day classic. Oil! (though I'm not quite done reading it just yet) is more focused on the political and socioeconomically side of the oil boom that occurred in California during the early 1900's and the class warfare that was being waged, whereas Anderson's screenplay is focused on a story of a man, his son, and their relationship. Which makes for better cinema than the original source material. Daniel Day-Lewis gives the best performance of his career (obviously in my humble opinion) as Daniel Plainview a wealthy independent oil man, who battles with the big oil conglomerates along with a vengeful Evangelical Eli Sunday (played fantastically by Paul Dano) all the while trying to do right for himself and his son. Anderson delivers a cinematic masterpiece in every sense of the word and it should have won the Academy Award for Best Picture, but it was beat out by No Country for Old Men. Though No Country is a great film it is no where near the level of There Will Be Blood.




















*All production credits came from IMDB.com